Dissertation
“The Film Poem: Lyric Poetry and the Origins of Documentary Film, 1921–1951” (Columbia University, 2025).
Books Edited
The Dog Beneath the Skin by W. H. Auden and Christopher Isherwood (Princeton University Press, commissioned).
The Works of Tonino Guerra (Bloomsbury Academic, under contract).
Steve McQueen: Interviews (University Press of Mississippi, forthcoming).
Gaspar Noé: Interviews (University Press of Mississippi, 2024).
Publications
“T. S. Eliot and the Group Theatre” in The Routledge Companion to Absurdist Literature, ed. Michael Y. Bennett (Routledge, 2024), 87–97.
Review of A Brave and Lovely Woman: Mamah Borthwick and Frank Lloyd Wright, by Mark Borthwick, Middle West Review 10, no. 2 (2024): 246–48.
“Populism at the Oscars,” in Encyclopedia of New Populism and Responses in the 21st Century, ed. Joseph Chacko Chennattuserry, Madhumati Deshpande, and Paul Hong (Springer, 2023), 1–5.
Review of The Comedy of Errors, performed by Shakespeare’s Globe, directed by Sean Holmes, Shakespeare Bulletin 41, no. 4 (2023): 633–36.
Review of Ophelia, performed by Bread and Puppet Theater, directed by Peter Schumann, Shakespeare Bulletin 41, no. 2 (2023): 281–85.
“Stillness and André Gregory’s Meyerhold,” Stanislavski Studies 10, no. 2 (2022): 187–94.
Review of Genetic Criticism: Tracing Creativity in Literature, by Dirk Van Hulle, Textual Cultures 15, no. 2 (2022): 332–36.
“Unfinished Poetry,” with Matthew Aucoin, PAJ: A Journal of Performance and Art 44, no. 2 (2022): 64–70.
Review of Yeats on Theatre, by Christopher Morash, Modern Drama 65, no. 2 (2022): 605–7.
“Death and Country,” review of Evening Plays, by Richard Maxwell, PAJ: A Journal of Performance and Art 43, no. 3 (2021): 112–14.
“Pandemic and Speech Without Doors,” with Sulayman Al Bassam, PAJ: A Journal of Performance and Art 43, no. 2 (2021): 93–97.
“Speak-Trash: Irony for Exterminators,” review of Refugee Conversations, by Bertolt Brecht, trans. Romy Fursland; Three Plays, by Elfriede Jelinek, trans. Gitta Honegger, PAJ: A Journal of Performance and Art 42, no. 3 (2020): 125–31.
“Cuckolds, Cucks, and Their Transgressions,” Porn Studies 6, no. 2 (2019): 212–27.
“The Theatre of Andy Warhol: Pork in New York and London,” PAJ: A Journal of Performance and Art 41, no. 1 (2019): 54–75.
“The Muslims Present Orgena,” TDR: The Drama Review 62, no. 2 (2018): 78–96.
“Nicholas Mosley and Films for Not Acting,” Adaptation 11, no. 1 (2018): 40–57.
“Du Bois’s Forgotten Plays,” African American Review 50, no. 3 (2017): 309–19.